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André Marouço
(photo) is a
journalist,
radio
broadcaster and
film-maker with
a degree in
Marketing at
Universidade
Paulista. He was
born and brought
up in São Paulo,
where he has
worked for more
than 20 years in
several
television
stations. André
Marouço, a
Spiritist, is
the director of
a film to be
released on
October 7th
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in Brazil. More
than 100 cinemas
will carry the
film, which will
take the
liberating
message from
The Spirits’
Book to a
greater public.
With the support
of the Spiritist
Movement, he
expects the film
will be a
blockbuster,
like Nosso
Lar – Astral
City and
other recent
Spiritist films.
That is the main
focus of this
interview with
André Marouço: |
Is there a
campaign for
Spiritists to
get together and
go in large
groups to the
cinema when the
new film opens?
We are not
worried about
that, as we
expect it to
happen
naturally. We
understand many
Spiritist
Centres will
organize group
viewings, and we
hope that starts
from the very
beginning, from
the first
weekend, which
is seen as the
measure of
success for any
new film. The
Spiritual
Benefactors have
been with us in
all stages of
the film, and we
are certain that
they will
continue to
help, by
inspiring the
Spiritist
Movement. I just
hope that we,
Spiritists, can
something back,
as we have
received so much
through The
Spirits’ Book
and all the
works of Allan
Kardec.
Who are the
actors and the
technical team?
The technical
team is made up
of young
professionals
from the Mundo
Maior Cinema
Project – a
Spiritist media
initiative in
Brazil. They
were joined by
more experienced
professionals
from the Mundo
Maior TV Network
and other people
from the cinema
industry. But
there were very
few Spiritists
in the film set.
I would say the
Spiritists were
only 3 or 4 out
of about 30
people working.
In the cast, we
have some very
well known
Brazilian
actors, such as
Nelson Xavier,
Luciana Gimenez,
Etty Fraser,
Reinaldo
Rodrigues and
Sandra Corveloni,
the only
Brazilian
actress ever to
get an award in
the Cannes Film
Festival.
Luciana Gimenez
(a well-known
television
actress in
Brazil) plays
the role of a
simple villager
in her 60s. She
didn’t charge
anything for
work, and yet
was extremely
dedicated. To
transform her
into a worn out
woman in her
sixties, she had
to patiently
wait for hours
as the make-up
artists worked.
The main
character,
played by
Rodrigues, is a
psychiatrist.
Among the other
characters are a
housewife who
works on a
meals-on-wheels
programme, an
ex-convict who
now works as a
waiter and a
woman who is
about to return
to the Spiritual
World.
What are the
expectations in
the Spiritist
Movement and
what have been
the reactions to
the initiative
so far?
We are very
happy with the
support we’re
getting. Many
regional
organizations in
Brazil have
contacted us to
stress that they
are publicizing
the film and
will work for it
to become a
success. As for
me, I have
public talks
booked for São
Paulo and Rio de
Janeiro to
publicize and
talk about the
film. There is
huge demand for
those talks. We
are available
for more
information and
any questions on
magali.bischoff@mundo
maiorfilmes.com.br
or on phone
number + 55 11
22830360.
Did you feel the
presence and
support of the
Spiritual World
during filming?
There were many
times when I
did, but one
particular
incident had a
bigger impact on
me. We’d been
deeply involved
in filming for a
couple of weeks,
beginning to
face the usual
challenges, with
everyone prickly
and tired. The
atmosphere in
the film set was
very tense, I
was on the edge
and I asked
myself: “How did
I get involved
in THIS?” I just
felt like
leaving it all
behind, running
away from the
set. In that
particular day
we were filming
at Casas André
Luiz, in the
beautiful tree
alleys where
they look after
our brothers and
sisters with
mental and
physical
disabilities. My
head was in
turmoil when I
felt someone
embracing me
from behind. It
was one of the
inpatients. She
came round,
stood in front
of me and
embraced me
again, a very
warm hug. I
caressed that
little angel’s
head, and she
soon let it go
and ran away. It
felt like she
had given me
healing. I
didn’t even see
her face. I then
found my feet,
my balance, I
breathed deeply
and went back to
work with
renewed
enthusiasm,
thanking the
Lord for the
opportunity.
Do you have any
box office
targets?
It will really
depend on the
Spiritist
Movement in
Brazil, which
will need to
work hard and
incessantly. So
we make an
appeal for all
Spiritists in
Brazil to get
together and go
to the cinemas
to see the film,
to promote it,
to go in great
numbers in the
first days, to
use the media to
publicise it. I
believe we can
overcome the
expectations, as
it happened with
a previous
Spiritist film,
Bezerra de
Menezes. It
was initially
scheduled to
show in 40
cinemas, it went
on to be shown
in 60 cinemas,
being watched in
total by 500
thousand people.
If we follow a
similar patch,
we can reach up
to 700 thousand
people going
through the box
office, or even
more, who knows?
As I mentioned
Bezerra de
Menezes, I
would like to
point out that
O Filme dos
Espíritos (The
Spirits’ Film)
is a project
from 2008,
therefore an
idea that was
born before the
current boom of
Spiritst films
in Brazil.
What can
Spiritist
Centres do to
help publicizing
the film?
We request all
our friends to
follow us
through the
website
www.ofilmedosespiritos.com.br,
or on twitter @OfdosEspiritos,
or
www.facebook.com/OFilmeDosEspiritos
or on the blog
http://mundomaiorfilmes.globspot.com/.
We have also
been posting
videos on
Youtube on
www.youtube.com/OFilmeDosEspiritos.
Please spread
the word around
and pass on
these web
addresses. It
would also help
if Spiritist
Centres
throughout the
country
organised talks
to their
volunteer
workers and
those who attend
their meetings
to highlight the
importance of
spreading the
Spiritist
message to the
world. The
Spirits’ Film
is a good
tool for that.
And we also ask
you all to
campaign hard
against piracy,
as the struggled
to find the
resources to do
this film, and
the income we
are expecting to
get will be
invested in the
dissemination of
the Spiritist
Doctrine.